1999–2001: Career vacillations and rehashed achievement

In 1999, post her marriage with Ajay Devgn, Kajol included in a supporting part close by him and Mahima Chaudhry in Prakash Jha’s show Dil Kya Kare. She played Nandita Rai, the other lady in the life of Anant Kishore, played by Devgn. In a meeting with Filmfare she clarified, “The main reason, I consented to play my character was on the grounds that it had shades of dim. I would have likely denied the spouse’s part. Since I felt it had nothing for me to do.” Upon discharge, the film met with to a great extent negative audits. Faultfinder Sharmila Taliculam, nonetheless, portrayed Kajol as “the main individual who gives her part a similarity of rational soundness”. Financially as well, the film neglected to do well. Be that as it may, her next discharge, Satish Kaushik’s lady’s film, the show Hum Aapke Dil Mein Rehte Hain, developed as a basic and business achievement. Featuring close by Anil Kapoor, Kajol got another Best Actress assignment at the Filmfare service for her depiction of Megha, the misled spouse of Kapoor’s character. The film met with wide media scope for being one of only a handful few lady focused movies to develop as a business achievement in India. Happy actress photos


Kajol’s third and last arrival of 1999 was the fundamentally and monetarily unsuccessful sentimental dramatization Hote Pyar Ho Gaya, nearby Jackie Shroff, Atul Agnihotri and Ayesha Jhulka.The taking after year, she highlighted close by her significant other at the end of the day, in his home-creation Raju Chacha. The kids’ film, with a creation expense of 300 million (US$4.5 million) was depicted as the “most costly Bollywood film ever”, at the time. Upon discharge, the film met with negative audits and floundered in the cinema world. Kajol’s first arrival of 2001 was Rahul Rawail’s comic drama film Kuch Khatti Kuch Meethi, where she assumed the twofold part of Tina and Sweety Khanna, twin sisters who are isolated during childbirth. The film was a noteworthy business disappointment and brought negative audits from pundits. Composing for Rediff.com, Savera R Someshwar condemned Kajol’s choice to star in the film; termed her as an “impressive prop” and depicted her execution as “unacceptable”.

Soon thereafter, she assumed a main part in Karan Johar’s family show Kabhi Khushi Kabhie Gham…, which was a blockbuster in India and the top-earning Indian generation ever in the abroad market until 2006. Additionally highlighting Amitabh Bachchan, Jaya Bachchan, Shah Rukh Khan, Hrithik Roshan and Kareena Kapoor in unmistakable parts, Kajol assumed the part of Anjali Sharma, a youthful Punjabi lady from Delhi’s Chandni Chowk region, who falls for the rich Rahul Raichand, played by Khan. Kajol, confronted introductory challenges while recording for her scenes, as she was required to talk in Punjabi, a dialect she wasn’t conversant in. In any case, she learnt the right elocution and word usage with the assistance of maker, Yash Johar and the team individuals. Her comic-sensational execution met with consistent basic approval and won her few recompenses, including her third Filmfare Award and her second Screen Award in the Best Actress category.Taran Adarsh marked her as “top notch” and anticipated that her “Punjabi lingo will win her tremendous praise”.The Hindu composed, “Kajol … takes the thunder from under high noses in reality. With her exact planning and unpretentious waiting expression, she is an enjoyment the distance.


Taking after the accomplishment of Kabhi Khushi Kabhie Gham…, Kajol took a holiday from full-time acting. In a meeting with The Times of India she uncovered, “I’m not stopping movies, I’m simply being particular. Luckily, I’m in a position where I can pick and choose.”She included that the purpose for the break was to focus on her marriage and “begin a family”.
2006–10; 2015: Comeback and late work

Kajol came back to movies in 2006 with Kunal Kohli’s sentimental thriller Fanaa, inverse Aamir Khan. She, be that as it may, declined to term Fanaa as her “rebound film” since, “I never resigned. I had recently enjoyed a reprieve”. The film rose as a noteworthy film industry accomplishment with an overall gross of ₹1 billion (US$15 million). She depicted the part of Zooni Ali Beg, a visually impaired Kashmiri young lady who unwittingly begins to look all starry eyed at a terrorist, played by Khan. Both the film and in addition Kajol’s execution were generally welcomed, with commentator Sudish Kamat calling her the “main motivation to watch the film” and including, “Kajol performs like she never enjoyed a reprieve from celluloid and peps up the film with her presence.”A survey conveyed by Bloomberg noted, “[Kajol] still can illuminate the screen easily, making her one of only a handful few driving women who can more than match Khan’s technique driven prowess.”Her work in Fanaa brought Kajol a fourth Filmfare Award and second Zee Cine Award in Best Actress class.




1992–96: Debut and leap forward

Kajol made her acting introduction at seventeen years old in the 1992 sentimental dramatization Bekhudi close by debutante Kamal Sadanah and her mom Tanuja, who in the film additionally played her mom. Kajol played Radhika, a young lady who begins to look all starry eyed at Sadanah’s character regardless of her folks’ desire for her to wed another man. Despite the fact that the film ended up being a film industry flop, however Kajol’s execution was seen and she was marked for Baazigar (1993), a thriller by Abbas-Mustan, which developed as a noteworthy business achievement. Enlivened from the Hollywood film A Kiss Before Dying, the film co-featured Shah Rukh Khan, Shilpa Shetty and Siddharth Ray, and saw Kajol depict the main part of Priya Chopra, a young lady who becomes hopelessly enamored with her sister’s executioner. The film denoted the first of her numerous joint efforts with Khan and got positive surveys from film commentators, as did Kajol’s execution.

In 1994, Kajol included in the drama Udhaar Ki Zindagi, as the granddaughter of the characters played by Jeetendra and Moushumi Chatterjee. The film, which was a redo of the hit Telugu film, Seetharamaiah Gari Manavaralu, neglected to do well in the cinema world. Be that as it may, Kajol got acclaim for her execution and won the BFJA Award for Best Actress. She in this manner featured in and earned open acknowledgment with Yash Raj Films’ hit sentimental show Yeh Dillagi, nearby Akshay Kumar and Saif Ali Khan. The film, which was an informal change of the Hollywood film Sabrina, portrayed the account of a driver’s little girl who turns into a model, and takes part in an affection triangle between two siblings. The accomplishment of Yeh Dillagi demonstrated a leap forward for Kajol and her execution in the film brought her a first Best Actress designation at the yearly Filmfare Awards.


In 1995, Kajol featured in two noteworthy business triumphs—Rakesh Roshan’s Karan Arjun and Aditya Chopra’s Dilwale Dulhania Le Jayenge—both inverse Shah Rukh Khan. The previous was a sensational thriller, taking into account the idea of resurrection, in which she played Sonia Saxena, a supporting character who frames the adoration enthusiasm of Khan. The film in the end rose as the second-most noteworthy earning film of the year in India.She legitimized assuming a minor part in the film by saying, “I did Karan Arjun in light of the fact that I needed to know how it feels to be an adornment. I don’t had anything to do in the film aside from look great”. Kajol’s next three discharges that year—Taaqat, Hulchul and Gundaraj—neglected to do well economically; the last two were her most punctual joint efforts with her future-spouse, the on-screen character Ajay Devgn.


Kajol’s fifth and last arrival of the year, the sentiment Dilwale Dulhania Le Jayenge, was the greatest business achievement of 1995, as well as a standout amongst the best movies ever in India. The film, which earned an overall gross of ₹1.23 billion (US$18 million) at the season of discharge, has been ceaselessly running in Mumbai from that point onward. Dilwale Dulhania Le Jayenge was additionally a noteworthy basic achievement; it won ten Filmfare Awards, and Kajol’s execution as Simran Singh, a youthful Non-inhabitant Indian from London who succumbs to Shah Rukh Khan’s character was adulated, acquiring her a first Filmfare Award for Best Actress. In 2005, Indiatimes Movies positioned the motion picture amongst the 25 Must See Bollywood Films, refering to it as a “trailblazer of sorts”. In that same year’s review survey by Rediff, Raja Sen expressed that Kajol was “carefully picked … to play Simran, the genuine as-life on-screen character conveying warmth and credulity to the at first pretentious and hesitant Simran. Also the on-screen science that has turned into the stuff of legend.” In 1996, Kajol featured in Vikram Bhatt’s activity show Bambai Ka Babu, inverse Saif Ali Khan and Atul Agnihotri. Upon discharge, the film rose as a noteworthy basic and business debacle.